The Kimberley Foundation Australia (KFA) supports research into the rock art of the Kimberley region. The region's history and colourful landscape inspired us to create a meaningful core brand that will help reflect their purpose and the culture they aim to research, preserve and promote.
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Weld Guard Helmet Box Packaging
Port Stephens Eggs Packaging
Smootharc Welders Launch
BOC extensive range of welding equipment includes this new series of high quality welding machines that has every task covered. For this project we designed product graphics, brochures, posters, point of sale, technical data sheets and advertising.
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Industrial Products Manual
Field Fresh Free Range Eggs Packaging
Ecoeggs Packaging
Southern Gold Mutton Packaging
Citect Product Packaging for CitectFacilities, Citect SCADA, Ampla
Citect Software Packaging
Ellerston Sapphires Project
Front Design created a micro website and handcrafted brochure for the The Ellerston Project launch. These magnificent gems, unearthed by Kerry Packer in Australia’s Hunter Valley, are among the World’s finest.
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Cabac Data Catalogue
CABAC designs, manufactures and distributes an extensive range of over 28,000 products via a comprehensive national network of electrical wholesale organisations that service; engineering construction, residential, commercial and infrastructure building industries.
We produced a number of large catalogues for them inlcuding this 330 page electical catalalogue. The project entailed complete design and production, inlcuding image deep etching and retouching, concept and design, proofing and print management.
NewStart Eggs Packaging
Ecoeggs Logo
NSW Institute of Sport Logo
NSWIS funds and conducts training programs for elite atheletes. Our logo design is derivtive of the waratah, the floral emblem of NSW.
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Bursill Ski Clothing Catalogue
We designed the annual Bursill Ski Clothing catalogue for many years. When they first came to us artwork was being produced using their clothing concept sketches. The process was tedious and gave only a vague hint to the actual colours. In the first year time was short so we autotraced all the sketches and coloured them by hand in Macromedia FreeHand. This gave them a more colour accurate result but the autotraced sketches were a bit untidy and took a long time to save and print. The following year we suggested design time could be intelligently redistributed and enable us to provide a much improved result for the same conservative budget. The following years we redrew and coloured all the rough sketches, providing a really clean and consistent result.
